fashion photography

Tango Noir shoot

In June, I partnered with Arlington's Orange Hanger Boutique and The Regent Theatre to create a fashion-based editorial shoot based on the Argentine Tango, specifically the Tango Nuevo movement (new Tango) and film noir. It was inspired by music by the amazing Gotan Project. The goal: to work with other Arlington businesses to create dramatic, sexy, and beautiful editorial work, and to pull from my own dance background to create photography that represents the movement of dance and the drama of film noir. This Milonga de amor video with a Gotan Project soundtrack was distributed to everyone participating in the shoot to help them gain a feel for the mood we were going to create at the Regent Theatre.

Emerson faculty member C.E. Courtney helped hugely with the lighting design and also documented the behind-the-scenes action.

Here I am teaching Manuel, one of our models (and an MIT graduate), how to do the Argentine Tango hold, instructing as to how close the faces of partners should lean together - reeeeally close. The beginning of the shoot involved having the models gain familiarity with both the dance and the embrace required to convey the emotion of the tango. I did not expect the models, most of whom are not dancers, to get the technique exactly right, but to approximate the mood and the hold, which they did splendidly. Image by C.E. Courtney.

 

Hair and makeup was by Jayne Riot and Maura Traniello of Scarlet Artist Management. Here's our model Elizabeth (another MIT graduate) getting pin-curled. Image by C.E. Courtney. As some of the five models waited for hair and make-up, others began getting into wardrobe and were subject to lighting tests by my assistant, Elizabeth M.

We began with portraits of the men, as the women finished with hair and make-up.

And as Elizabeth came out of make-up, the gentlemen were happy to bring her into the picture.

Introducing Elizabeth to some tango steps, image courtesy of C.E. Courtney.

And then the dance began.

 

And then they all danced together.

And then it was time, as they say, to powder the nose.

Many thanks to all the models: Elizabeth O, Greg, Jenn, Manuel, and Zach - you were all a blast to work with, beautiful inside and out. Thank you to Leland and Ryan from the Regent, and Natalie from the Orange Hanger - you made everything gorgeous! Huge thanks to C.E. and Elizabeth M for all your assistance lighting everything indoors, and schlepping everything in from the outdoors despite the pouring rain. I owe ya.

Ladies Rock Camp

I had the great pleasure of photographing the bands of Boston's Ladies Rock Camp in Jamaica Plain on May 20th. The camp provides an opportunity for women who are 19 and older to let loose and learn to play rock together with similarly strong and awesome women. Ladies learn and/or practice bass, guitar, drums, vocals, or keyboard, form a band, and at the end of the experience, play live at TT the Bears in Central Square, Cambridge. The participants also take a variety of workshops relating to being a lady rocker - I happened to observe an inspiring workshop by Model Mugging Self-Defense right after I photographed the bands. Super cool! It was amazing walking into the building in which the camp was housed - you could feel the vibration of the drums throbbing up through your feet, and the excited "Yows!" and cheers of the participants charged everyone with a wonderfully contagious energy! I want to join next year (and I grew up playing classical piano and viola) - what an incredible group of women, what a great experience.

Here are a few of the bands I photographed.

 

Steampunk: Take two

Lots of requests for more Steampunk photographs from the Watch City Festival aka Steampunk Festival in Waltham, MA! Here they are. Steampunkers, please keep in touch via my blog and via www.facebook.com/sharonajacobsphotography. I had so many amazing people who were photographed - thank you all for being so wonderfully interesting to photograph.

Steampunk Festival, Waltham, MA: corsets, goggles, and gorgeousness

I was recently asked how I wanted to spend my Mother's Day - my answer: photograph portraits of amazingly costumed people at Waltham's Steampunk Festival. Assisted by the author Jon Papernick and my family (it was Mother's Day, after all), I had the most amazing time photographing some incredible faces and outfits. Enjoy the gallery, and thank you to everyone who participated!

 

Documenting the shoot: The boots meant for walkin'

I'm going to start a theme that I'll return to every now and then called Documenting The Shoot, where I'll show you what went into a shoot, what didn't work, and then what did with the final image. A before/after, if you will. My model was kind enough to give me her time to work on a personal project (thank you!), my 52 week project on Flickr, where each week I explore a different topic resulting in a weekly image. This particular week's topic was "Getting from Point A to Point B" and I decided to set up a fashion-type shoot featuring an amazing pair of boots and some fun cross-lighting techniques. We shot in my, shall we say, petite/cozy/tiny home studio which has low ceilings but works great for headshots. Full-body stuff is more challenging - I have to shoot from the very corners of the room, practically Spiderman-style, to avoid distortion. And you do not want distortion when photographing a person's legs.

Here are a few "before" images - you can see a few test shoots against a crappy dark background that shows off lint beautifully. I was trying to get some angles that showed off  the boots awesomeness, my models great legs, and a sense of movement as well. I had Audrey walk around a bit, but what worked best was to have her stand still, point her feet exactly as directed, and hang on to my ceiling for dear life (man, in hindsight, I really wished I shot that - next time!). The angle that looked the most "natural" was highly unnatural, but man, she was a trouper. I had a softbox behind her on the ground highlighting her shape and the laces, and an LED panel in front of her - really close - less than a foot, for detail.

I knew it when I got the final image in camera the moment I hit the button. So all I had to do was go into Lightroom, get rid of lint, and burn out the light walls of my studio in the background. And here's that final image:

Let me know what you think of this series and if you want more!